1980年五月，所有人都留下深深的伤痕的那一天，行踪不明的男人“康德”和从罪恶感中逃走的男人“义气”从那个地方活了下来。,一切都受到控制，必须被掩埋于黑暗中。,他们的故事再次重逢。,只有一丝燃烧的渴望，渴望找到真正的民族主义…

A citizen militia is formed to defend Gwangju in 1980. Those gathering in the Jeonil Building for their final act of resistance on May 27 include shoe shiners, female factory workers, and cafe waitresses. LEE Jisang reproduces the atmosphere of the day in a particularly unique and experimental manner.

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 年的“猫鼠游戏”的信念追逐。

1929년 10월 30일 광주-나주사이의 열차안에서 일본인학생들이 조선녀학생을 모욕한 사건을 동기로 하여 일어난 역사적인 광주학생사건을 기본내용으로 하고 있다.

暂无剧情简介

1980年5月17日晚，紧急戒严扩大，金大中 等数十位在野民主人士被强制带走。次日5月18日，在光州，呼喊解除戒严和释放金大中的示威队伍遭到武装空输部队的强硬镇压而牺牲，以此为契机，为期十天的抗争开始了。然而在武力镇压结束局面后，光州抗争被定性为暴徒发动的内乱，金大中被烙上操纵事态的内乱阴谋主犯的印记，在军事审判和最高法院被宣判死刑。从那之后过了16年，到了1996年，光州屠杀的主犯全斗焕因叛乱主犯嫌疑被宣判死刑。这是在历史面前确认从1979年“12·12”军事政变开始的全斗焕的掌权过程才是真正的内乱的时刻。接着第二年，金……

既是自己的生日也是先结婚的妹妹婚礼的5月某天，敏静无意间自己独自一人度过一天。

Sam wakes up, gets ready and goes to do his daily job. And then the unexpected happens. A bomb explodes in the center of the shopping mall where he works. He drags himself towards the entrance to save the victims. One by one he pulls them out, until something terrible takes place. In complete hysteria he runs off till he falls down from exhaustion. A woman's voice makes him raise his head. She's one of the victims he saved. She wants to know why the suicide bomber did it. This encounter projects him back in history and even in a surreal world. Thereafter he runs into everyone he saved and feels that their defeat shows many parallels with his own. Even his confrontation with the wrongdoer isn't that straightforward as he thought it would be and confronts him with the fact that guilt and innocence can be pretty much alike.

由Fernando Solanas监制并任摄影和剪辑，找来自己当年的老搭挡Octavio Getino和一群“解放电影小组”的成员，个个都是阿根廷新浪潮里的革命派人物，拍摄了这部长达210分钟共12章节的黑白纪录片，真实记录下1969年5月29日阿根廷人民走上科尔多巴市的街头反抗翁加尼亚（Ongania）军事专政的场景，阿根廷反抗独裁争取自由之路由此开始。 “解放电影小组”（Grupo Cine Liberación）由Solanas和Octavio Getino、Gerardo Vallejo三人组建，吸收了一批当时优秀的新浪潮导演，以拍摄纪录片为主，虽然其成员各自的政治信仰不尽相同，有些信仰马克思主义，有些则推崇贝隆主义，但对独裁专治的共同憎恶使他们走到了一起。而“解放电影小组”也与阿根廷左翼先锋导演Raymundo Gleyzer的“Cine de la Base”、古巴ICAIC的革命电影、巴西新浪潮、及玻利维亚的Jorge Sanjines共同奠定了拉美第三世界电影运动的基础。 本片是继《燃火的时刻》后拉美影史上又一部重要的政治纪录片，在71年柏林电影节上全体创作人员共同获得了FIPRESCI奖。